Slow motion is one of the most powerful creative tools on any GoPro. A crashing wave, a mountain bike kicking up dirt, a dog shaking off water -- footage that lasts half a second in real life becomes a dramatic, detailed sequence when slowed down. Every GoPro from the Hero5 Session onward can shoot high frame rate video, but the available speeds, resolutions, and quality vary significantly between models.

This guide covers everything you need to know about GoPro slow motion: which frame rates are available, what resolution you get at each speed, how to calculate playback slowdown, which models support what, and how to get the best results out of high frame rate shooting. Whether you want subtle 2x slow motion or dramatic 8x footage at 240fps, the settings and techniques are all here.

Quick Switch

The GoPro Remote app lets you save presets for different frame rates and switch between them in a single tap over Bluetooth. Useful when you need to jump between normal speed and slow motion without digging through menus. Download it free on the App Store.

Understanding Frame Rates for Slow Motion

Slow motion works by recording more frames per second than you play back. Standard video plays at 24fps (cinema), 30fps (web/TV), or 60fps (smooth action). When you record at a higher frame rate and play it back at a standard rate, each second of real time stretches across multiple seconds of playback. The math is straightforward.

The slowdown factor equals your recording frame rate divided by your playback frame rate. If you record at 120fps and play back at 30fps, you get 120/30 = 4x slow motion. One second of real time becomes four seconds of smooth, detailed slow motion.

Here is the slowdown math for every common combination:

Recording FPS Playback at 24fps Playback at 30fps
60fps 2.5x slow motion 2x slow motion
120fps 5x slow motion 4x slow motion
200fps 8.3x slow motion 6.7x slow motion
240fps 10x slow motion 8x slow motion

For most action and sports footage, 120fps is the sweet spot. It gives you 4x slow motion on a 30fps timeline, which is slow enough to reveal details invisible at normal speed without dragging out the action so long that it loses impact. 240fps is reserved for moments where you truly need extreme slow motion -- water droplets, impacts, explosions of sand or snow.

Frame Rate and Resolution: The Trade-Off

Every GoPro has a hard ceiling on how much data its sensor and processor can handle per second. Higher frame rates require the sensor to read out faster, which means the camera must reduce resolution to keep up. This is not a software limitation you can work around -- it is a physical constraint of the imaging pipeline.

The practical result: you choose between higher resolution or higher frame rate. Here is what modern GoPro models offer:

Resolution Max Frame Rate Slow Motion Factor (30fps)
5.3K 60fps 2x
4K 120fps 4x
2.7K 240fps 8x
1080p 240fps 8x

The decision framework is simple. If your final output is 4K, shoot 4K120 and accept 4x slow motion. If you need 8x slow motion, drop to 2.7K240 or 1080p240. If you only need a gentle slowdown for smoother action footage, 5.3K60 or 4K60 gives you 2x slow motion at maximum resolution.

For social media where most viewers watch on phones, 1080p240 is perfectly acceptable. For YouTube or projects where resolution matters, 4K120 delivers the best balance. For a deeper dive into resolution and frame rate combinations, see our best GoPro video settings guide.

Which GoPro Models Support Which Frame Rates

Not all GoPro cameras are equal when it comes to slow motion. The sensor, processor, and firmware generation determine what is available. Here is a breakdown by model:

GoPro Model Max Slow Motion Best Slow Mo Resolution
Hero5 Session 1080p120 1080p at 120fps (4x)
Hero5 Black 1080p120 1080p at 120fps (4x)
Hero6 Black 1080p240 1080p at 240fps (8x)
Hero7 Black 1080p240 1080p at 240fps (8x)
Hero8 Black 1080p240 1080p at 240fps (8x)
Hero9 Black 1080p240 2.7K at 120fps or 1080p240
Hero10 Black 2.7K240 2.7K at 240fps (8x)
Hero11 Black 2.7K240 4K at 120fps or 2.7K240
Hero12 Black 2.7K240 4K at 120fps or 2.7K240
Hero13 Black 2.7K240 4K at 120fps or 2.7K240

The Hero10 was the inflection point for GoPro slow motion. Its GP2 processor unlocked 2.7K at 240fps, which had previously been limited to 1080p. If you shoot slow motion frequently and own a Hero8 or older, the upgrade to a Hero10 or newer is significant for this specific use case.

For a full comparison of features across every model, see our GoPro Hero model comparison.

How to Set Up Slow Motion on Your GoPro

Setting up slow motion on the camera itself involves navigating to the video resolution and frame rate settings. The exact menu path varies by model, but the process is the same on all of them:

  1. Power on the camera and swipe down to access settings (or press the Mode button on older models).
  2. Navigate to Resolution and select the resolution you want (4K, 2.7K, or 1080p).
  3. Navigate to Frame Rate (FPS) and select the high frame rate option: 60, 120, or 240.
  4. Note that available frame rates change based on your selected resolution. If you do not see 240fps, you may need to drop the resolution first.
  5. Check your stabilization setting. HyperSmooth may be limited or unavailable at the highest frame rates, depending on your model.
Faster Method

With the GoPro Remote app, you can create presets like "Slow Mo 4K120" and "Slow Mo 1080p240" and switch between them with a single tap from your iPhone. The app changes resolution, frame rate, and all related settings simultaneously over Bluetooth -- no WiFi connection needed, no GoPro account required. Works with every GoPro from Hero5 Session through Hero13.

Lighting: The Critical Factor for High Frame Rates

This is where most GoPro slow motion footage goes wrong. Higher frame rates require dramatically more light, and most people do not account for this.

The reason is shutter speed. At 30fps, each frame can be exposed for up to 1/30th of a second. At 240fps, each frame can only be exposed for 1/240th of a second at most. That is eight times less light per frame. The camera compensates by raising ISO (sensor sensitivity), which introduces noise -- the grainy, speckly look that ruins footage.

Here is a practical guideline for each frame rate:

If you are shooting at 240fps, plan your shots around the light. Midday sun is your friend for this specific use case, even though it produces harsh shadows for normal video. The abundance of light more than compensates. Golden hour at 240fps will be borderline depending on the scene.

Rule of thumb: if you can squint and the scene still looks bright, you have enough light for 240fps. If you would describe the scene as "well-lit" but not bright, stick to 120fps or lower.

One additional factor: GoPro cameras use electronic stabilization that crops the frame, reducing the effective sensor area and making the light problem slightly worse. If image quality is critical and you have a stable mount, consider turning HyperSmooth off for high frame rate shots. The full sensor area captures more light. For more on balancing settings with light, see our Protune settings guide.

Best Subjects for GoPro Slow Motion

Slow motion is not universally better. It is a tool that amplifies certain types of motion while making other footage feel tedious. The best slow motion subjects share one trait: they involve fast movement with fine detail that the human eye cannot fully appreciate at normal speed.

Great at 60fps (2x Slow Motion)

Great at 120fps (4x Slow Motion)

Great at 240fps (8x Slow Motion)

A common mistake is shooting everything in slow motion. Slow motion loses its impact when overused. Shoot your primary footage at normal speed (24fps or 30fps) and switch to high frame rates only for specific moments that benefit from the effect. This contrast is what makes slow motion sequences feel powerful when they appear.

Editing Slow Motion Footage

GoPro high frame rate files play back at their recorded speed by default. A clip recorded at 120fps plays at 120fps, which on a 30fps timeline just looks like normal-speed, smooth footage. You need to interpret or conform the clip to slow it down.

Method 1: Speed/Duration Controls

In most video editors (DaVinci Resolve, Premiere Pro, Final Cut Pro, CapCut, LumaFusion), right-click the clip and adjust its speed. Set 120fps footage to 25% speed for 4x slow motion on a 30fps timeline, or 20% speed for a 24fps timeline. For 240fps, use 12.5% speed on a 30fps timeline.

Method 2: Interpret Footage (Best Quality)

In Premiere Pro, right-click and choose "Modify > Interpret Footage" and set it to 24fps or 30fps. In DaVinci Resolve, right-click in the media pool, select "Clip Attributes," and change the frame rate. This method reinterprets the source frame rate rather than time-stretching, which preserves perfect quality with no frame blending or interpolation artifacts.

Method 3: Speed Ramping

The most creative option. Speed ramping starts a clip at normal speed and transitions smoothly into slow motion (or vice versa). This is the technique you see in professional sports highlights where the action decelerates into a dramatic moment and then snaps back to full speed. To execute this cleanly, you need to have shot at a high frame rate for the entire clip -- you cannot ramp into smooth slow motion from 30fps footage without artificial frame interpolation.

For color and exposure adjustments on slow motion footage, the same cinematic settings principles apply. Shooting in Flat color profile gives you more grading flexibility, which is especially valuable for high frame rate footage that may be slightly noisier than your standard clips.

Storage and Battery Considerations

High frame rate shooting is demanding on both storage and battery. More frames per second means larger files and more processing power, which drains the battery faster.

Slow Motion Settings Quick Reference

Here is a quick reference for the most common slow motion scenarios, assuming a 30fps playback timeline:

Use Case Resolution FPS Slowdown
Smooth action B-roll 4K 60 2x
Sports highlights 4K 120 4x
Water/impact details 2.7K 240 8x
Extreme slow motion 1080p 240 8x
Social media slow mo 1080p 120 4x
Pro Tip

When using the GoPro Remote app, create separate presets for each slow motion scenario in this table. Label them clearly ("4K120 Sports", "1080p240 Extreme"). During a shoot, you can switch between any preset with a single tap on your phone instead of navigating through camera menus. This is especially useful when mounting the GoPro in hard-to-reach positions where touching the camera screen is impractical.